The Scimitar Dining table is large rectangular wood top with tightly sloping edges, supported by two monumental cast bronze table-ends.
Available as custom without hide texture.
Available as custom without hide texture.
Information
Specifications
| Dimensions | in | cm |
|
Length
|
120
|
305
|
| Width |
45.75
|
116 |
|
Height
|
29.5
|
75
|
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Promontory Dining Table No. 1 - Cast Mineral Top
The Promontory Dining Table is comprised of a cast mineral top with a cast bronze base of two asymmetrical shield-like forms. Available as custom in both single and double-base configurations.
Promontory Dining Table No. 1 - Wood Top
The Promontory Dining Table is comprised of a solid oak or walnut top with a cast bronze base of two asymmetrical shield-like forms. Available as custom in both single or double-pedestal configurations.
Scimitar Bench
A single continuous cast bronze form, the Scimitar Bench exhibits fragments of North American bison hide texture.
Scimitar Stool
A single, continuous cast bronze form, the Scimitar Stool exhibits fragments of North American bison hide texture.
Tributary Dining Table No. 1
The Tributary Dining Table is an exploration realized in two cast bronze blades. Arranged in a perpendicular disposition, the bases each split at one end into an open cuff of brightened bronze and support a solid oak or black walnut top. The projected shape of the bases emerges as a finely crafted inlayed motif on the table top.
Tributary Dining Table No. 2
The Tributary Dining Table No. 2 is a round table exploration realized with three cast bronze uprights. Arranged in a dynamic asymmetrical disposition, two of the bases split at one end into open cuffs of burnished bronze, all supporting an ash, oak, or walnut top.
The projected shape of the three bases emerges as an inlay on the top wood surface, with additional inlays in a grouped motif.
Table shown has a custom 52" diameter top.
Scimitar Series
Scimitar
The ethos of the Scimitar series embraces rigor, wear, and time by referencing the hard-worn artifacts and bygone aspects of the frontier. Saddles, bridles, and hides are considered.
Each work bears the mark of its making but also the marks of possession, the way it is worn, rendering an utterly personal sculpture unto itself, in iterations over time.
